Disney’s Pivot to Streaming Won’t Change Hollywood

The Monitor is a weekly column devoted to everything happening in the WIRED world of culture, from movies to memes, TV to Twitter.

When you’re the highest-grossing studio in Hollywood, it’s hard to imagine you wouldn’t always want to do the thing that you’re immensely good at: making movies and showing them in theaters. And yet, it’s 2020 and nothing is predictable, and as such, this week Disney announced plans to—for lack of a better way to put it—pivot to streaming, a move that could shift the entire landscape for movie and TV distribution.

go to this web-site
this
check that
Go Here
More hints
you could check here
Continued
More Help
try this
you could try here
website here
useful source
read the full info here
Discover More
click resources
over here
like this
Learn More
site web
navigate to this web-site
pop over to this website
Get the facts
our website
great site
try this out
visit the website
you could look here
content
go to this site
website link
read this
official statement
reference
check out the post right here
additional info
my link
additional reading
important source
you can check here
this link
see post
next
click reference
visit site
look here
try this web-site
Going Here
click to read
check this site out
go to website
you can look here
read more
more
explanation
use this link
a knockout post
best site
blog here
her explanation
discover this info here
he has a good point
check my source
straight from the source
anonymous
go to my blog
hop over to these guys
find here
article
click to investigate
look at here now
here are the findings
view
click to find out more
important site
click here to investigate
browse around this site
click for more
why not try here
important link
address

Or maybe not. You see, under Disney’s new plan, the company says it is looking to streamline its direct-to-consumer business by enlisting a new division, the Media and Entertainment Distribution group, to decide how the content made by its studios—Pixar, Lucasfilm, Marvel, etc.—goes out into the world. Some of those studio offerings will still go to theaters, of course, but CEO Bob Chapek told CNBC this week, “We are tilting the scale pretty dramatically [toward streaming].” It’s a bold move, and one that shows just how big an impact outfits like Netflix have made on Hollywood. But it’s not a move that every other studio is likely to mimic, nor should they. Why? They’re not Disney.

Reading Monday’s news about the new plan at the Mouse House, the first thing that sprung to my mind was my colleague Brian Barrett’s story about the 2019 launch of the company’s streaming service. Titled “Disney+ Is Here—and It’s a Fully Formed Streaming Juggernaut,” the piece laid out all the ways the company was entering the streaming wars with a much larger regiment than any of its competitors. Not only does Disney have a back catalog of animated family classics as well as Star Wars and an entire superhero team, it also has Fox, ESPN, and National Geographic. Apple TV+ didn’t have anything close to that when it launched. HBO Max had the Home Box Office coffers, as well as those of WarnerMedia—including Friends—when it went live, but even those offerings seem paltry compared to everything at Disney’s fingertips.

It’s this agility, brought to bear by sheer volume, that Disney has in spades. Sure, other studios could shuffle more of their presumed theatrical releases into streaming (see the success NBCUniversal had with sending Trolls World Tour straight to VOD), but with theaters remaining closed because of concerns over Covid-19, most have opted to push back their release dates. Disney delayed some of its superhero tentpoles like Black Widow, but it had no problem dropping Mulan on Disney+ and is making plans to debut Pixar’s new movie, Soul, on the streaming service as well. At the time, Mulan‘s release was seen as a one-off, and not an ideal release for the film, but it was a reminder that Disney can burn off a title here and there and still remain ahead. Movies produced by the studio accounted for some 33 percent of the total US box office in 2019—38 percent if you include movies from Fox, which Disney acquired that year. The company’s closest competitor, Warner Bros., only accounted for about 14 percent of that same market. Add in the fact that its big franchises have huge pipelines of projects in the works, and it’s easy to see how Disney could shift a few more titles to streaming and still stay ahead of it competitors. Conversely, considering that Warner Bros. needed two movies—Joker and It Chapter Two—to add up to the box office take of one Lion King, it’s also easy to see why any studio not named Disney would be reticent to send any of its features straight to streaming.

Related Posts

Leave a Reply

Your email address will not be published. Required fields are marked *